Throwback Thursday: Rating Shrek Films

Let’s kick things off by clarifying that I’ll be reviewing only the initial three movies in the Shrek franchise. Despite the existence of various spin-offs in this fantastical universe crafted by the original Shrek film in 2001, I’m focusing solely on the foundational trilogy, excluding the spin-off featuring Puss in Boots from my assessment.

Now, let’s delve into the more pertinent details. Approximately a year ago, I shared my thoughts on Dreamworks’ “Shrek,” but recently, a serendipitous encounter with “Shrek 2” prompted me to revisit the whimsical world and its beloved characters. Personally, my engagement with the franchise only extends to its third installment; the fourth didn’t quite resonate with me. Perhaps it was a shift in perspective due to age, but the magic felt somewhat diminished. To streamline this discussion and preserve my sanity, I’ll be ranking the first three movies: “Shrek,” “Shrek 2,” and “Shrek the Third.”

Each film showcases the franchise’s main trio: Shrek (voiced by Mike Myers), the cantankerous ogre with a disdain for people; Princess Fiona (Cameron Diaz), cursed with a unique predicament; and Donkey (Eddie Murphy), an articulate and humorous animal companion. The ensemble is joined by an array of fairy tale characters, including Prince Charming, Fairy Godmother, Pinochio, the Gingerbread Man, and Puss in Boots.

Now, with that background out of the way, let’s proceed to the rankings!

  1. Shrek 2: Securing the top spot is “Shrek 2,” a rarity for a sequel. Released in 2004, it picks up after Shrek and Fiona’s nuptials and honeymoon. The story unfolds as Fiona’s parents, the king and queen of Far Far Away, invite the couple for a visit. Shrek, wary of human prejudice, reluctantly agrees. The film brilliantly navigates Shrek’s discomfort in a kingdom that scorns him, coupled with a subplot involving the repercussions of a deal gone awry with the Fairy Godmother. What elevates this movie to the top? The music, particularly Jennifer Saunders’ iconic rendition of “I Need A Hero.” Combined with a captivating storyline and a powerful message about self-acceptance, it stands out as a stellar film, almost feeling like the perfect conclusion to the franchise.
  2. Shrek: The film that initiated the phenomenon, “Shrek,” claims the second spot. Released in 2001, it introduces us to Shrek, an ogre content in his solitude until Lord Farquad disrupts his peace by relocating fairy tale creatures to Shrek’s swamp. A deal is struck—rescue Princess Fiona, and the creatures will be removed. Beyond the comical moments, such as the infamous “Do you know the muffin man?” scene, the film delves into themes of doubt and identity, particularly in Shrek and Fiona’s narrative. Only edged out of the top spot due to the Fairy Godmother’s exceptional song, it remains a captivating story with a profound message suitable for a children’s movie.
  3. Shrek the Third: Occupying the third position is the third installment, “Shrek the Third.” While I’ve only watched it once or twice, its impact didn’t linger as much as its predecessors. Following the loss of Fiona’s father in “Shrek 2,” the film revolves around Shrek and Fiona grappling with the expectations of ruling Far Far Away. The duo is tasked with finding Fiona’s cousin, Arthur “Artie” Pendragon (Justin Timberlake), to assume the responsibility. However, Artie’s reluctance complicates matters. While not as enjoyable as the first two, which is unsurprising for a franchise not initially designed for sequels, “Shrek the Third” holds its own in the broader narrative.

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