The DCEU’s Final Farewell Now Available on MAX


Aquaman and the Lost Kingdom may not be flawless, but it does boast an exceptional bromance amidst its flaws. As the concluding chapter of the tumultuous 10-year journey of the DC Extended Universe (DCEU), the film, released in 2023, is riddled with chaos and overshadowed by backstage turmoil. Inheriting the stylistic eccentricities, narrative weaknesses, and imperfect visual effects of its predecessors, it falls short of superhero film mastery.

Nevertheless, despite its shortcomings, The Lost Kingdom offers a thrilling escapade. Jason Momoa reprising his role as Arthur Curry injects charisma into the movie, albeit possibly for the last time. While it revisits some elements from his previous adventure, introducing two villains with varying degrees of impact and sacrificing promising storylines for inexplicable reasons, it brings back the exhilaration that the DCEU has been missing since the original Aquaman hit theaters.

Unexpectedly, the film’s charm lies in its portrayal of a compelling bromance, a facet that perhaps wasn’t a priority for DC but proves pivotal. The DCEU often leaned too heavily into brooding drama, particularly evident in its depiction of the Justice League, where camaraderie was lacking. Aquaman and the Lost Kingdom, however, exudes charm, largely due to Momoa’s portrayal of Arthur Curry, now settled and shedding his brooding persona.

Settled into his role as the ruler of Atlantis alongside his wife Mera (Amber Heard), Arthur finds himself confronting a new threat: David Kane (Yahya Abdul-Mateen II), a vengeful mercenary wielding a cursed trident and intent on environmental sabotage at the behest of a sinister entity. Teaming up with his reluctant ally and brother Orm (Patrick Wilson), Arthur navigates a journey rife with familial complexities and newfound respect.

Director James Wan skillfully builds upon the foundation laid in previous films, transforming the dynamic between Arthur and Orm into one of the franchise’s most compelling relationships. However, while the central characters shine, the supporting cast, including Kidman’s Queen Atlanna and Heard’s Mera, are underutilized, a decision possibly influenced by Heard’s personal controversies.

Despite its flaws, The Lost Kingdom stands as a surprising pinnacle for the DCEU. Embracing the franchise’s inherent weirdness and delivering consistent thrills, it marks a commendable high point before the curtain falls on the DCEU’s tumultuous journey.

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