“Aquaman & The Lost Kingdom” serves as the final installment in the DC Extended Universe (DCEU), offering a cinematic journey filled with delightful Easter eggs and references. Headlined by Jason Momoa reprising his role as Arthur Curry, the film delves into the King of Atlantis’ new adventure as he confronts dark powers threatening both the surface world and the depths of the sea. To avert impending catastrophe, Aquaman seeks the assistance of his brother Orm, played by Patrick Wilson.
As the narrative unfolds, “Aquaman & The Lost Kingdom” intricately weaves a tapestry of nods to DC Comics, callbacks to past DCEU entries, and subtle references that enrich the broader superhero landscape. Here’s a detailed exploration of the Easter eggs and references present in the film:
- Aquaman’s Seahorse Storm: The film opens with a captivating scene featuring Aquaman mounted on a giant seahorse named Storm. This visual homage pays respect to the character’s iconic underwater steed from the comic books and the beloved Super Friends animated series.
- Batman’s Fish Joke: The movie cleverly acknowledges the humor surrounding Aquaman’s ability to communicate with sea life, referencing Batman’s lighthearted comment from “Justice League” about the protagonist’s unique talent.
- Arthur Jr. (The Aquababy): Delving into Aquaman’s personal life, the film introduces the character’s son, Arthur Jr. This narrative choice aligns with a notable storyline from the comics where Aquaman and Mera grapple with the loss of their son, known as Aquababy.
- The Lost Kingdom- Necrus aka The Black City: Black Manta’s newfound powers and corruption find their origin in Necrus, also known as the Black City. While the comics portrayed Necrus as an enigmatic and ever-shifting city, the film adapts this concept into the cursed and corrupted Seventh Kingdom, adding a layer of complexity to Atlantis’s ancient history.
- Black Manta’s Black Trident And Orichalcum: A significant portion of the film revolves around Black Manta’s pursuit of Orichalcum, an ancient Atlantean fuel source. While the comics depicted Orichalcum as a versatile mineral, the film’s interpretation introduces it as a powerful substance tied to the Black City and Black Manta’s ambitions.
- Aquaman’s Man of Steel Reference- Galaxy Broadcast Communications: The movie subtly incorporates a connection to “Man of Steel” through Galaxy Broadcast Communications, a major news network based in Metropolis. This nod bridges the gap between the first and final films of the DCEU, creating a sense of continuity.
- Atlantean Council and Surface World Politics: Exploring the political dynamics of Atlantis, the film depicts Aquaman’s rule under the oversight of a council, mirroring the established comic lore. Additionally, it delves into the divide among Atlantean kingdoms regarding coexistence with the surface world, offering a nuanced reflection of Aquaman’s ongoing struggles in the comics.
- Aquaman’s Mentor Vulko: The movie addresses the absence of Willem Dafoe’s character, Vulko, by revealing his demise due to a plague caused by pollution from the surface world. This plot point not only explains Vulko’s absence but also underscores environmental themes prevalent in Aquaman’s narrative.
- New Black Manta Suit Is Straight From The Comics: Black Manta’s updated costume, featuring a silver helmet with iconic red eyes, pays homage to the character’s classic comic book appearance. The film’s attention to detail in costume design reinforces its commitment to honoring source material.
- Topo The Octopus Is An Atlantean Spy (And Musician): Building on the character introduced in the first Aquaman movie, Topo, traditionally a musical sidekick, takes on a more covert role as an Atlantean operative in the sequel. This adaptation aligns with Topo’s comic origins while adding a layer of intrigue to his character.
These meticulously crafted Easter eggs and references contribute to the film’s richness, offering fans a rewarding experience that celebrates the legacy of Aquaman within the DC universe. The inclusion of these details not only pays homage to the source material but also strengthens the film’s connection to the broader superhero genre. “Aquaman & The Lost Kingdom” stands as a testament to the intricate storytelling possibilities within the DCEU, providing a fitting conclusion to this chapter of cinematic superhero storytelling.
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