Aquaman and the Lost Kingdom epitomizes the essence of the DCEU


Due to its foreseeable plot and occasional stunning visuals, James Wan’s Aquaman sequel seems to embody the flaws that plagued the DC Extended Universe (DCEU). The initial decision by Warner Bros. to revamp Aquaman’s image through Jason Momoa’s portrayal was met with skepticism, yet it surprisingly worked well in Zack Snyder’s Justice League. Despite the film’s lukewarm reception, Aquaman’s presence hinted at a potential course correction for the DCEU.

The first Aquaman solo feature, directed by James Wan, presented a mixed bag with dazzling underwater sequences and a lighthearted tone, providing a breath of fresh air for the DCEU. Its success at the box office naturally led to the announcement of a sequel. One would hope that the follow-up would reflect the lessons learned from the challenges faced by other DCEU films.

However, in Aquaman and The Lost Kingdom, it becomes evident that Warner Bros. is closely monitoring public feedback and industry trends. Rather than positioning itself within an expanding universe, the film focuses on reintroducing Arthur Curry/Aquaman (Jason Momoa). Arthur, a unique hero as both a member of the Justice League and the rightful heir to the Atlantean throne, is navigating fatherhood with his wife, Mera (Amber Heard). The film emphasizes his familial bonds, deviating from the frattier portrayal in previous installments.

While the emphasis on family provides a unique angle, the film’s behind-the-scenes challenges are evident in Amber Heard’s limited screen time. The Lost Kingdom endeavors to showcase Arthur’s struggles between life on land and sea but becomes burdened with excessive world-building and numerous set pieces. The narrative feels unwieldy, reminiscent of the abandoned Trench spin-off.

Despite its predictable plot, The Lost Kingdom boasts visually captivating underwater realms, offering a bioluminescent spectacle. However, the film’s bloated nature and late introduction of a crucial kingdom give it a disjointed feel. It stands as a testament to the strengths and weaknesses of the DCEU, though not ranking as its worst installment.

In a cast that includes Patrick Wilson, Randall Park, Dolph Lundgren, Martin Short, and Indya Moore, Aquaman and The Lost Kingdom falls short of being an exceptional or inspired film. It crosses the finish line in a relay race where Warner Bros. faces challenges it was unlikely to overcome.

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